Vol 4 No 2 (2018): April 2018

"Mr. Femi," by Akinwande Akingbehin

DOI: https://doi.org/10.32396/usurj.v4i2

Published: 2018-03-22

Front Matter

Editorial Board and Acknowledgements

Liv Catherine Marken
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Research Snapshots

“Is She Really the Man?”: Exploring Performativity in Twelfth Night

Lauryn Andrew, Bailee Brewster, Bayley Farr, Mae McDonald
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Language, Class, and Mobility in Twelfth Night 1.5

Nathalie Barabas, Lyreshia Chanthasiry, Judy Kim, Huy Le
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Social Behaviour and Gossip in The School for Scandal

Stephanie Lipski, Katie Stuart
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The Positive Side of Imposture in Twelfth Night

Devyn Manderscheid, Alex Diakow, Shania Wallin
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Articles

Cover Artist

Akinwande Akingbehin
  The artist painting "Mr. Femi."   "Mr. Femi"

Covering in Canada: Potential to Animate Human Rights

Ellen M. L. Bolger
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Keeping More than Home Fires Burning: Prairie Women during the Second World War

Meagan Breault
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Lesbians under National Socialism: Legal Indifference, Real Oppression

Hannah Elizabeth Crowder
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“Our Enemy, Who for Our Religion… Abhorred Us”: The Establishment and Maintenance of 18th-Century Anti-Catholicism in North America

Erin Isaac
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‘Come with me, sweetest sister’: Unravelling the Enigma of Sacred Sisterhood in Aurora Leigh by Elizabeth Barrett Browning and “Goblin Market” by Christina Rossetti

Kayla Marie Penteliuk
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Separation Anxiety in Canines and Potential Mitigation Options

Danielle Rose Schlehahn
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A Constructivist Perspective of Rape as a Military Strategy: A Comparative Analysis of the Rwandan Genocide and the Bosnian War

Jacqueline Ashley Schoenfeld
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Truman's New Deal: Point Four and the Genesis of Modern Global Development

Kevin Ray Winterhalt
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